Taekwon-do Lanaʻi is led by 5th Dan Grandmaster David Ippen. His approach departs from the dominant sport-oriented style by focusing on the more traditional, militaristic aspects of the art.
There are five moral tenets advanced by the founder of taekwon-do (테콴도), General Choi Hong Hi.
24 forms (형 hyeong) are taught in our style to provide practitioners a hierarchy of technical sequences upon which to pursue mastery of the art.
Self-defense training consists of sparring and situation drills. Sparring develops intuition and reflexiveness. Situation drills develop effective tactical habits which must supersede instinctual responses.
Having the goal of breaking various objects forces practitioners to identify and overcome the physical and mechanical weaknesses which hinder their technical effectiveness. Weakness of mind and softness of body will result injury instead of conquest of material integrity. For testing, practitioners are only ever expected to break 1 inch thick pine boards; the quantity of boards to be broken with a single strike increases with dan.
Basic conditioning for taekwondo is four-fold: strength, flexibility, stamina, hardness. Practitioners need sufficient musculature to exhibit a wide range of agile and deadly motion. Increased flexibility allows practitioners to develop a more relaxed, fluid style of movement. Cardiovascular fitness is needed to endure combat. Iron hard body is necessary to minimize the pain inflicted by an attacker as well as to maximize the pain inflicted upon the attacker; such can be achieved by daily striking progressively harder objects with hands, feet, limbs, and enduring progressively harder blows to the rest of the body, particularly those regions which are considered strategic.
This section presents my interpretation of Grandmaster David Ippen's (5th Dan) teachings about training pattern construction and purpose. It begins with lists of blocks, strikes, and kicks, then proceeds to stringing them together with elements to meet just about any need or desire. Indeed, no permutation is off limits. However, the applicability and/or artistry of a pattern is limited only by the skill and intellect of the practitioner. While forms, sparring sequences, and situational responses are technically patterns, we will leave those to separate discussions, though we may discuss segments of them. Most importantly, patterns should be practiced with concern only for proper technique development on both sides of the body; speed and fluidity will naturally increase with repetition.
Blocking patterns provide isolated practice with the five basic blocks (low, middle, high, knife hand, and reinforced) in the repeated sequence: L-stance, block. More advanced blocks (low knife hand, guarded, palm up, palm down, wrist, x up, x down, double knife hand, palm thrust, opposing palm thrust, staggered palm thrust) may be added.
Punching patterns build on the blocking patterns to provide practice with any subset of punches (straight, reverse, vertical, roundhouse, uppercut, ground, double straight, double reverse, double vertical, R/L reverse + L/R face) in the repeated sequence: L-stance, block, punch.
1-2-3 patterns build on the blocking and punching patterns by adding any subset of kicks (front, side, roundhouse, heel, axe, crescent, twist) in the repeated sequence: L-stance, block, punch, kick. The kick is usually delivered by the trailing leg, but can be executed by the leading leg or after a 360° turn, especially when a second punch is delivered in side stance.
Singles (a knife or ridge hand strike followed by a kick in the same direction) force practitioners to develop greater control of their angular momentum.
Scissors (kicks delivered simultaneously with strikes in the opposite rotational direction) force practitioners to develop independent control of their limbs.
In addition to quarter and three-quarters turns there are 13 turning combinations which may be used to add further complexity to any pattern. The simplest way to motivate these is with knife or ridge hand strikes.
Catalog
The test for each belt is cumulative.
Belt | Form | Sparring | Street Defense | Breaking |
---|---|---|---|---|
white | Chon-Ji | 3-step I & II | dangling and raised wrist grabs from front | side kick |
white/yellow | Dan-Gun | 3-step III & IV | wrist grabs from rear | turning side kick |
yellow | Do-San | 2-step I & II | front, side, and rear chokes | spinning heel kick |
yellow/green | Won-Hyo | 2-step III & IV | rear, side, and guillotine headlocks | step into spinning heel kick |
green | Yul-Gok | 1-step I & II | front hair, rear hair, and ponytail grabs | elbow & jumping front snap kick |
green/blue | Joong-Gun | 1-step I-IV, free (possibly with 1 break) | direct & backhanded stick to side, stick to crown, lapel grabs | straight punch & axe kick |
blue | Toi-Gye | 1-step I-VI, free with 1 break | direct & backhanded stick to temple, rear stick choke, & shoulder grabs | ridge-hand into turning roundhouse kick |
blue/red | Hwa-Rang | 3 original 1-step & free with 1 foot and 1 hand break | knife I-III, bear hug I-III, tackle | knife-hand with turn, then 360° jump spinning heel kick |
red | Choong-Moo & Kwang-Gae | 5 original 1 step, free with 2 foot and 1 hand break | sucker punch I & II, low kick I & II, knife IV-VI | inside knife-hand, then 540° jump spinning heel kick; Choong-Moo with jumping side kick; specialty break |
Part I: red/black (essay: the meaning of black belt) | Part I: Chon-Ji through Yoo-Sin (1-13), 1 applied hyeong (Chung Mu or higher) | Part I: 5 original 1-step, free with 2 foot and 2 hand breaks | Part I: 5 original from 1 attacker & 5 free attacks | Part I: 5 individual breaks || Part II: 5 individual breaks in two minutes |
Form x 1 | Sparring x 1 | Street Defense x 1 | Pull x 7 | Push x 1/10 | Kicks x 4 | Hand Strikes x 10 |
---|---|---|---|---|---|---|
Chon-Ji | 3-step I & II | wrist I-III | chin-up | dip/straight | jumping front kick | spear-finger |
Dan-Gun | 3-step III & IV | wrist IV-VI | pull-up | dip/vertical | jumping side kick | long fist |
Do-San | 2-step I & II | choke I-III | cg chin-up | dip/reverse | jumping, spinning heel kick | fist |
Won-Hyo | 2-step III & IV | headlocks I-III | cg pull-up | dip/mixed | twist kick | backfist |
Yul-Gok | 1-step I & II | hair I-III | commando | dip/diamond | inside/outside crescent kick | knife hand |
Joong-Gun | 1-step I-IV, free | stick I-III & lapel I-III | inverted row | dip/wide | jumping axe kick | ridge hand |
Toi-Gye | 1-step I-VI, free | stick IV-VI, & shoulder I-III | rope | dip/finger | turning, jumping roundhouse kick | palm |
Hwa-Rang | 3 original 1-step & free with 1 foot and 1 hand break | knife I-III, bear hug I-III, tackle | rope | dip/finger | knife-hand with turn, then 360° jump spinning heel kick | dorsal-hand |
Choong-Moo & Kwang-Gae | 5 original 1 step, free with 2 foot and 1 hand break | sucker punch I & II, low kick I & II, knife IV-VI | rope | dip/finger | inside knife-hand, then 540° jump spinning heel kick; Choong-Moo with jumping side kick; specialty break | forward elbow |
Chon-Ji through Yoo-Sin (1-13), apply any of form 9-13 | 5 original 1 step, free with 2 foot and 2 hand breaks | rope | dip/finger | 5 random attacks from 1 attacker & 1 original situation | demonstrate 5 breaks in 5 minutes | rear elbow |